The darkness of the hall and the partial lighting on small “volcanoes” marked with bricks, as well as the first appearance of the women, transports one to a time long before man as a species himself ruled the earth.
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In fact, however, most people follow the direction, which makes full use of the space and constantly shifts the focus of the actions.
Which position you take is up to you, also how and when you want to change it. You are allowed to wander along with the ensemble or move further away from it.
This makes sense, because the theme of the performance is the relationship of man to his bony inner life, but also to nature with its stony formations and evolution from the formation of the earth to the present day.īosse works with six women ranging in age from 24 to 75, most of whom move naked among the audience during the two-and-a-half-hour performance. “Bones and Stones” had its world premiere in Hall G of the MuseumsQuartier and – according to the theatre-maker – is soon to move to the great outdoors. And yet, as Claudia Bosse points out in her latest work, they are inextricably linked. “Bones and stones” are two nouns that radiate anything but warmth and security and that one does not necessarily immediately associate with each other.
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